These works are currently on show in Bullingdon Road, Oxford. More details will be updated.
In Lieu of Landing (sculpture series), 2025, copper water pipes, shells and mixed media, size variable
Afterblast (kinetic sculpture series), 2025, artillery shell cases, copper, shells, motor, mixed media, approximately 40x20cm (each)
Palimpsest: A 19th-century British villa with an enfilade layout (Evans, 1997: 77), 2025, copper etching plates and mixed media, 110x110 cm
Moonbreaking, 2024, oil on canvas, 25x20cm
Anatomy of Equestrian Errors, 2025, etched copper sheets and mixed media moving sculpture 40x40x70 cm
To Tattoo An Artefact, 2025, 16:9, colorful, PAL, 2' 00''
Civilian Families, 2025, 16:9, colorful, PAL, 2' 00''
mixed media with moving image, 70cm x 40cm x 195cm, 2023
The main moving image (approximately 3 minutes) is played on the larger screen from the installation named “Odyssey of a beautiful mess“ in the photo above.
Meet Me in the Crimson Purple Woods,
laser engraving on acrylic, embossing on etching copper sheets, mixed media (wood, fabrics, clay, ceramics, metal, etc.) with conversation recording audio, painting and etching prints, 121cm x 50cm x 135 cm, 2023
Excerpt of the audio part of “Meet me…“
SADIE: Have you met any other horses there?
VIM: Yes, surprisingly.
SADIE: Describe one to me
VIM: They were large and very tall, a dark blue with red spots on it.
SADIE: And how many heads or legs?
VIM: There were six heads and four legs.
SADIE: What did you do when you saw them?
VIM: I went crazy. How about you? Anything
SADIE: Why did you went crazy?
VIM: Something weird happened.
SADIE: What happened? Tell me
VIM: Well, I just.. I just got really mad.
SADIE: Why?
VIM: I felt out of place.
SADIE: You don’t belong to the purple crimson woods?
VIM: *looks down* Yeah..
SADIE: And what did she say to you
VIM: She said ‘I don't know where I belong anymore’.
Doppelgänger II (from ‘She glanced back at me before vanishing into the crimson purple woods’),
ceramics 13 x 8 x 7 cm, 2021-2022
17 x 8 x 10 cm, 2023
Installation with sound and rotation, (approximately) 100 x 60 x 60 cm, 2022
Don't let me be misunderstood (snails),
bronze and plaster, 16 x 5 x 5 cm, 2022
Haunt the House (“Rock me tenderly“)
Mixed media installation with UV print on mdf, 70 x 70 x 140 cm, 2023.
Warehouse (from ‘Marching on‘),
mono print on paper, 10 x 10cm, 2022